About / CV

Alexander Reben wearing glasses and a gray shirt, standing with folded arms beside a windowAlexander Reben

Alexander Reben is an artist and roboticist who uses invention to explore our relationships with technology and the human assumptions built into it.

Working across robotics, artificial intelligence, software, sculpture, and performance, he builds systems that invite participation and make hidden assumptions visible. Humor and absurdity run through works that explore creativity, authorship, and human responsibility.

His work has been exhibited at Ars Electronica, MAK, and the Vitra Design Museum, with solo exhibitions at bitforms Gallery, Charlie James Gallery, and GAZELL.iO. His first solo museum retrospective, AI Am I?, was presented at the Crocker Art Museum in 2023–2024.

Reben was OpenAI’s first artist in residence in 2023–2024. His other artist residencies include Facebook Open Arts in 2021, Meta in 2025, and Google in 2026. He holds an MS in Media Arts and Sciences from MIT, where he conducted research at the Media Lab, and was a visiting scholar in psychology at UC Berkeley from 2015 to 2017.

He is also a professional speaker and consultant.

Artist statement

I ask questions by building them. Most are aimed at systems that have not settled yet: a new technology, a law written for an older world, an institution that wants to know what something is for before anyone has had time to find out. Early on, the assumptions are still visible. The rules are incomplete. The people who made the technology are often as surprised by it as everyone else. That is where I like to work, before the strange becomes ordinary and disappears into the furniture.

Invention is my artistic practice. I build robots, AI systems, software, performances, and physical objects because a working thing can ask a question in a way an argument cannot. A question written down stays polite. A question built into a machine has no manners. It runs. It misreads you. It waits for your hand, your voice, or your decision. By the time you respond, you are already part of the work.

The questions change from project to project. All Prior Art asks what happens when a machine can generate ideas for inventions at a scale the patent system was never built to handle. The First Law turns an ethical thought experiment into a robot that may prick a participant’s finger. In AI Am I?, a language model imagines not just the artworks but the artists and critics around them, and I make selected pieces real. A machine-dreamed art world smuggled into the actual one. The question is where, in all of that, the art-making happened, if it indeed happened at all. Sometimes I make things that make things, machines whose whole job is to show automation's insides while it works. These works are connected by what I do to them: I build a system, push on it, and see what gives.

Most of the work begins in play. A prototype can fail without embarrassment. A silly machine can lower people’s guard. The difficult conversation begins before anyone has decided how they are supposed to respond. Absurdity works in much the same way. A ridiculous machine can make a serious contradiction visible. It may also arrive before the culture has a category for it. Many ordinary technologies would have sounded absurd a generation ago. In my studio, the line between a joke, a prototype, an invention, and an artwork is not very stable. I prefer it that way.

I do not think technology is here to save us, and I do not think it is the villain. Both stories are too easy. Machines are full of people: our labor, preferences, assumptions, shortcuts, and blind spots.

When working with generative technology, I prefer the word "symbiosis" to "collaboration". Collaboration makes a machine sound more human than it is. Still, the loop is real. I shape a system. It gives me something I did not expect. I change what I am doing in response. Authorship moves around inside that loop, even though responsibility remains human.

I take technologies apart, use and misuse them, then I put them back together so their hidden rules become easier to see. The work does not settle the argument. It leaves the contradiction running in the room.

I am an artist by process of elimination. A company, laboratory, or department usually needs a purpose, a product, or a result. I often need not to know. Art is the place I have found where an invention can remain unresolved long enough to teach me what it is. The invention is not just a tool for making the artwork. It is the form the thinking takes.

There is nothing artificial that we did not make. Every machine is, in part, a self-portrait with the flattering angles removed. I build these mirrors to see what we are extending, what we are automating, and what we are willing to trade away. I want to know whether the things we make can help us become more human rather than less.

I would rather meet the future in the workshop, while I can still take it apart and put it back together, than read about it after someone else has decided what it means.

Alexander Reben

https://areben.com

Selected CV.

Solo exhibitions

2023–2024

AI Am I?

The Crocker Art Museum, Sacramento, CA

2022

I’m Not A Painter

GAZELL.iO Project Space, London, England

2021

AI-Mazing

GAZELL.iO Project Space, London, England

2019

Contrasts in Action Still

stARTup Art Fair – Special Project, Los Angeles, CA

2018

strange/r/evolution

SPRING/BREAK Art Show, New York, NY

Selected group exhibitions

2026

EMERGENCE: From Conway to Collective Intelligence

Kate Vass Galerie, Zürich, Switzerland

2025

Augmented Intelligence

Auction exhibition and live performance, Christie’s Rockefeller Center galleries, New York, NY

2024–2025

Encoded: Art With No Boundaries

VISU Contemporary with bitforms gallery, Miami Beach, FL

2024

SMALL V01CE

Honor Fraser, Los Angeles, CA

2023

Speak Art Into Life

TED, Vancouver, BC

2023

Speak Art Into Life

TED Women, Atlanta, GA

2023

Speak Art Into Life

Aspen Ideas Festival, Aspen, CO

2022

ULTRAMARIN

Venice, IT

2022

Hello Robot

Vitra Design Museum, Weil am Rhein, Germany

2022

Creative Machine

Goldsmiths University, London, UK

2022

Immutable

Vellum LA, Los Angeles, CA

2021

Let’s Talk About Text

Gazelli Art House, London, England

2021

Hello Robot

Hyundai Motorstudio, Busan, Korea

2021

Hello Robot

Hyundai Motorstudio, Beijing, China

2021

Abstract Art in the Age of New Media

Museum of Contemporary Digital Art (MoCDA), online

2020–2021

The Game of Life: Emergence in Generative Art

Kate Vass Galerie, online

2020

CURRENTS New Media Festival

Santa Fe, NM

2020

Hello Robot

Neues Museum Biel, Biel, Switzerland

2019

With a Little Help from My Friends: A Benefit for Bryan Chagolla

Charlie James Gallery, Los Angeles, CA

2019

Hello Robot

V&A Museum of Design, Dundee, Scotland

2019

Post City

Ars Electronica, Linz, Austria

2019

Hello Robot

Museo San Telmo, San Sebastián, Spain

2019

Hello Robot

MAAT, Lisbon, Portugal

2019

Pas de Deux — MAX 2019: A Space Festival

Performance with Alice Sheppard, Exploratorium, San Francisco, CA

2018

Seeing Eye Awareness

Galerija Vžigalica, Ljubljana, Slovenia

2018

Gray Area Festival

San Francisco, CA

2018

CODAME

San Francisco, CA

2018

Hello Robot

Gewerbemuseum, Winterthur Switzerland

2018

Robot Art

Museum of Science and Industry, Chicago, IL

2018

LAST Festival

Stanford University, Stanford, CA

2017

DEMO DAY

Kunstraum, Brooklyn, NY

2017

Post City

Ars Electronica, Linz, Austria

2017

Hello Robot

Design Museum Ghent, Ghent, Belgium

2017

Robots. Work. Our Future

Vienna Biennale, Vienna, Austria

2017

Hello Robot

MAK Contemporary Art Museum, Vienna, Austria

2017

Hello Robot

Vitra Design Museum, Weil am Rhein, Germany

2016

IDFA

Amsterdam, Netherlands

2016

WIRED 2016 UK

London, England

2016

Chicago Ideas Week

Chicago, IL

2016

Camden Film Festival

Camden, ME

2016

Perception & Time

Long Now Member Summit, San Francisco, CA

2016

Nuit de la science

CERN, Geneva, Switzerland

2015

Happy Machine

Ottawa Maker Faire, Ottawa, Canada

2015

LAST Festival

Stanford University, Stanford, CA

2015

SPEIF

Special Project Space, San Jose, CA

2014

Robots in Residence

Aspen Ideas Festival, Aspen, CO

2014

Sonic Gorilla

Warwick Arts Centre, Warwick, UK

2014

TFI Interactive

Tribeca Film Festival, New York, NY

2014

New Works

Culture Shock Project Space, VOLTA, New York, NY

2013

Robots in Residence

1MSQFT, Miami, FL

2013

Robots in Residence

Sheffield Doc / Fest, Sheffield, England

2013

Robots in Residence

Nordisk Panorama, Malmo, Sweden

2013

Robots in Residence

Storyscapes at the Tribeca Film Festival, New York, NY

2012

COLLISION18:Present

Axiom Center for New and Experimental Media, Jamaica Plain, MA

2012

Robots in Residence

IDFA, Amsterdam, Netherlands

2011

ArtBots

Ghent, Belgium

2011

You Are My Sunshine: Axiom At Bumpkin Island Closing

Axiom Center for New and Experimental Media, Jamaica Plain, MA

2011

Solar absurdities

Bumpkin Island Art Encampment. Bumpkin Island, Boston, MA

2011

IDENTITY ELEMENT: WORKS FROM THE NEW AXIOM GROUP

Axiom Center for New and Experimental Media, Jamaica Plain, MA

2011

Defy Gravity

MIT Media Lab, Cambridge, MA

2009

Human Nature

ARS Electronica Festival, ARS Electronica, Linz, Austria

2008

Whitney Biennial — James Chimpton

Technical contribution to Neighborhood Public Radio’s presentation with Steve Lambert and Jeff Crouse, Whitney Museum of American Art, New York, NY

2008

Planet in Peril: Artists Sow Solutions

EYEBEAM, New York, NY

Collections

The Crocker Art Museum Permanent Collection

JPMorgan Chase Art Collection

Facebook / Meta Art Collection

MIT Museum

Speaking / appearances

2026

TECHNĒ 3.0: Art in the Age of Robots

Featured speaker, mHUB, Chicago, IL

2026

The Factory of the Imagination: Creative Agency vs. Agentic AI

Conversation with Kc Ifeanyi, Fast Company Grill at SXSW, Austin, TX

2025

AI-Powered Art: The Influence of Robots on Creative Expression

Panel, NVIDIA GTC, San Jose, CA

2025

Speaking art into life with AI

Experience Summit, Web Summit Qatar, Doha, Qatar

2025

Press Conference on the Future of AI

With Chandra Rangan, Web Summit Qatar, Doha, Qatar

2024

AI: From Research to Practice

Panel, Christie’s Art+Tech Summit, New York, NY

2024

AI and the Artist

Berkeley Art, Finance, and Law Symposium, SFMOMA, San Francisco, CA

2024

Can AI and art co-exist?

Interview with Jared Bowen, The Culture Show, GBH

2024

Robots, AI, and Making Courageous Futures

Fireside chat with Tim Brown, IDEO × San Francisco Design Week, San Francisco, CA

2023

AI AM I?

University of California Berkeley, Berkeley, CA

2023

AI AM I?

University of Nevada Reno, Reno, NV

2023

Backstory: Alexander Reben and Jesse Damiani

Crocker Art Museum, Sacramento, CA

2023

The Creative Future of Generative AI

MIT, Cambridge MA

2023

A.I.’s Rendezvous with Art: The Future of Creative Expression

Aspen Ideas Festival, Aspen, CO

2023

Generative AI as a Creativity Tool?

UC Berkeley, Berkeley, CA

2023

AI AM I?

CSU Fresno, Fresno, CA

2022

AI Am I?

Goldsmiths University, London, UK

2021

AI-Mazing — artist talk

Gazelli Art House

2020

Curators Talk: Jason Bailey and Alex Reben

Conversation with Kate Vass, Kate Vass Galerie

2020

Artistic Process and Generative Art

Panel with Helena Sarin and David Young, moderated by Jason Bailey, SuperRare Generative & AI Art Week

2020

Online Art for the Age of Plague

Stanford LASER, online

2020

AI Art

CCA University, San Francisco, CA

2019

Artist talk

Human–machine collaboration, Artivive Art Space, Vienna, Austria

2019

Creative Work as Adversary — artist talk

Art Technology New England, Emerson Urban Arts Media Gallery, Boston, MA

2019

The Future of Creative AI

TTI Vanguard, San Francisco, CA

2019

Human-Machine Collaboration and Artificial Intelligence

Startup Art Fair, San Francisco, CA

2019

Artificial Intelligence and Philosophy

CIIS University, San Francisco, CA

2019

Creative AI and IP

Harvard University, Cambridge, MA

2019

AI and Art

UC Merced, Merced, CA

2019

Pas de Deux: Machine Human Interface and the Creative Space

With Sasha Samochina and Alice Sheppard, MAX Chats, Z Space, San Francisco, CA

2018

Human-Computer Collaboration

Leonardo LASER, University of San Francisco, San Francisco, CA

2018

Artist as Technologist

TTI Vanguard, San Francisco, CA

2018

5 Dollars Can Save Planet Earth

TEDx San Francisco, CA

2018

A.I. Fortunes

Dorkbot, San Francisco, CA

2018

Art and Science

The Exploratorium, San Francisco, CA

2018

If an AI makes it, is art still Art?

CODAME, San Francisco, CA

2018

Artist’s lecture

Museum of Science and Industry, Chicago, IL

2018

AI Creativity in Art, Neuroscience, and the Law

SXSW, Austin, TX

2018

Stories of Song, Art & Tech

me Conference, Austin, TX

2018

Using Art and Design to Investigate Humanity

Berkeley Institute of Design, UC Berkeley, Berkeley, CA

2018

Design Field Notes

Jacobs Institute, UC Berkeley, Berkeley, CA

2017

Living in a Robot?

MAK Museum, Vienna, Austria

2017

Future Humanity

Ars Electronica, Linz, Austria

2017

LASER Lecture

Stanford University, Menlo Park, CA

2017

Ethics and Artificial Intelligence

CIIS University, San Francisco, CA

2017

Judah vs. The Machines

TechCrunch, Digital Web Series

2016

Emotional Arcade Live

IDFA, Amsterdam, Netherlands

2016

Thinking Digital

Gateshead, England

2016

From cute droids to robots that stab you, it’s time to get personal with machines

WIRED UK, London, England

2016

The Implications of Artificial Intelligence

Chicago Ideas Week, Chicago, IL

2016

Internet of Things and Memory

Camden Film Festival, Camden, ME

2016

LASER Art Lecture

UC Berkeley, Berkeley, CA

2016

California College of the Arts

San Francisco, CA

2016

Philosophy and The Future of Technology

Stanford University, Menlo Park, CA

2016

Art and Social Robotics

California College of the Arts, San Francisco, CA

2016

How Robots Mess With Our Minds

MIT Club of Southwest Florida, Naples, FL

2015

Homo Digitalis

LAST Festival, Stanford University, Stanford, CA

2015

The BlabDroid Robots

Global Technology Symposium, San Mateo, CA

2015

The Rise of the Social Robot

SXSW, Austin, TX

2014

Human-Machine Empathy

UC Berkeley Philosophy Department, Berkeley, CA

2014

Film making Robots and Human-Machine Relationships

Dorkbot, San Francisco, CA

2014

Robotic Art

California College of the Arts, San Francisco, CA

2014

BlabDroids

Engadget Expand, New York, NY

2014

Drones, Phones, and Robotic Friends-Where Is Emergent Technology Taking Us?

Aspen Ideas Festival, Aspen, CO

2014

Big Ideas Opening Session

Aspen Ideas Festival, Aspen, CO

2014

The Needy Robot and Our Relationship with Emotional Machines

TTI Vanguard, Boston, MA

2014

Social Robotics – Interaction and Design

Robo Forum, Moscow, Russia

2014

Igniters: BlabDroid

NBC and SyFy, Las Vegas, NV

2014

Will Robots Take Over The World?

HuffPost Live

2013

BlabDroids — Self-Learning Social Cloud Robots

TEDx, Boston, MA

2013

BlabDroids — Self-Learning Social Cloud Robots

Google Solve for X, Boston, MA

2013

Control Your Legal Landscape

Robo Business Conference, San Jose, CA

2013

Transmedia and Robot Filmmaking, Doc/Tech

Points North at Camden Film Festival, Camden, MA

2013

BlabDroids Around the World

Nordisk Panorama, Malmo, Sweden

2013

Transmedia and Technology

Transmedia Meet Up, Malmo, Sweden

2013

BlabDroids, Art as Research

Ignite at FOO, Sebastopol, CA

2013

Robots in Residence

Sheffield Doc / Fest, Sheffield, England

2013

Robots as Journalists

Columbia Journalism School, New York, NY

2013

Emotionally Evocative Robots

Thinking Digital, Gateshead, England

2013

Interactive Technology in Media

Media Future, Dun Laoghaire, Ireland

2013

Storyscapes

Tribeca Film Festival, New York, NY

2012

Needy Robotics and Our Intimate Interrelationship with Technology

Berkeley Center for New Media, UC Berkeley, Berkeley, CA

2012

Robots in Residence, Screening and Theory

DocLab at IDFA, Amsterdam, Netherlands

2012

Boxie, The Story Gathering Robot

Ignite Boston, Boston, MA

Fellowships / appointments / memberships

2026

Artist in Residence

Google

2025

Artist in Residence

Meta

2023–2024

Artist in Residence

OpenAI

2021

Open Arts Artist in Residence

Facebook

2021

Affiliate

MetaLab, Harvard University

2019

Online Artist in Residence

GAZELL.iO

2015–2017

Visiting Scholar

UC Berkeley Psychology

2016

WIRED Innovation Fellow

From 2014

Stochastic Labs Residency

2013–2014

DocLab Fellow

MIT Comparative Media Studies

2010

MIT Art Scholar

2009–2010

Center for Future Storytelling Fellow

MIT

Tau Beta Pi Engineering Honor Society

Golden Key International Honor Society

Teaching / mentorship

2026

Lead, Tangible Imagination residency subgroup

Liveness + Agency summer residency, Stochastic Labs, Berkeley, CA

2019, 2020

Mentor

Sundance New Frontiers Story LAB, Sundance, CO

2019

Instructor, Social and Creative Robotics

UC Berkeley, Berkeley, CA

From 2014

Stochastic Labs

Berkeley, CA.

2011

Instructor, Interactive Technology Design

MIT, Cambridge, MA

2010

Instructor, Promoting Art Through Design (PATD)

MIT, Cambridge, MA

2009–2010

Undergraduate Research Opportunities Program (UROP) Advisor

MIT, Cambridge, MA

2008

Women in Science and Engineering (WISE) Program

SUNY Stony Brook, NY

2004–2008

F.I.R.S.T. Robotics Competition

Patchogue, NY

Education

2010

MS, Media Arts & Sciences

Massachusetts Institute of Technology, Media Lab

2008

BS, Applied Mathematics

Stony Brook University, cum laude