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Selected work / 2020

The Final Resting Place of the Queen Bee

A field of beeswax-tipped toothpicks, imagined in language and made by hand.

The Final Resting Place of the Queen Bee — installation view

AI-generated label

Part of the artwork. The attributions, dates, and accounts in these labels may be fictional.

Rachellette Carneday

American, born 1992

THE FINAL RESTING PLACE OF THE QUEEN BEE 2018

Toothpicks and beeswax on canvas

This sculpture consists of toothpicks stuck in a canvas. The toothpicks are dipped in beeswax, giving them a golden color. The artwork is a commentary on the plight of bees and the canvas represents the beehive during colony collapse disorder, in which the bees simply disappear from the hive, leaving the queen behind in an empty space. This sculpture was created as a form of activism and in support of bee colonies worldwide. The toothpicks represent the empty, dead bodies of the bees. As such, this sculpture is a potent symbol of the plight of the bee colonies. The artist hopes the work can help viewers envision the devastation that has occurred in bee colonies and encourage activism. They want to awaken viewers to the fact that bees are dying, and if bees are dying, the food supply is at risk. The bees in the colony play a vital role in pollination, fertilization, and growth of plants. They encourage viewers to imagine what would happen without bees.

About the work

Toothpicks dipped in beeswax rise from a canvas in a dense, yellow field. The sculpture gives material form to an artwork imagined by a language model.

The piece belongs to AI Am I?, a series in which AI-generated descriptions become physical artworks.

Exhibitions

The Final Resting Place of the Queen Bee — detail
Dreams of the Cheese-Faced Gentleman, The Final Resting Place of the Queen Bee, and The Council of Foxes — installation view